Sometimes the best ideas are associated with a red couch. . .

NaNoWriMo Day #15 – Handling Rejection

By David Jones

So you finally submitted a manuscript to that agent you’ve been creepily stalking online for weeks, and she responded with a “thanks but no thanks . . . but mainly no thanks.”  What now?

First, let’s define the scope of this post.  The word ‘rejection’ derives from ancient Sanskrit – rej, meaning ‘female’ and ecton, meaning ‘turns you down for the Wilco concert.’  Rejection comes in all shapes and sizes and I’ve experienced them all, but for now I’m only addressing when an agent or editor passes on a piece of writing you pitched to them for representation (if you’re looking for help handling dating rejection, I got nothing.  I still haven’t gotten over some of those from 20 years ago).

If you’ve been doing this writing thing for any amount of time, then you’ve suffered the sting of rejection and have probably been consoled by anecdotes of successful authors who have famously undergone similarly crippling rejections.  Like J.K. Rowling, who was rejected by 405 publishing houses before finally breaking through with her debut novel (Barry-something), and who today owns 3/4 of England.  And Agatha Christie, who suffered through five years of rejections before eventually taking her revenge by elaborately murdering each of those editors one by one at a dinner party.

While such tales provide some comfort, you’ve sweated and bled onto this manuscript for months, or more likely, years (you might want to print a clean copy), so surely everyone who simply takes the time to read it will marvel at your genius and will hand you a cloth sack with a dollar sign printed on the side, right?

Well, not so much.  Think back to the traditionally published books you’ve read.  How many have you not liked?  Hated?  Given up on?  Yet all of those writers found an audience somewhere.  I once quit on a wildly popular novel during the final chapter (I won’t name names, but let’s just say I had a divergent opinion from the mainstream on it).  How much do you have to hate a book to just give up with only like ten pages to go?  Well, the author of that particular series is probably sitting on a beach lighting cigars with first editions of Ulysses and eating beluga sushi, or whatever it is rich people do, I don’t know.

If an agent or editor rejects your work, it generally means one of two things: A) the writing’s fine, but he/she’s just not that into you.  Maybe that agent already signed a manuscript about a crime-solving penguin that week, and simply can’t take on a second, or B) you’re a lousy writer with nothing to contribute to the world and no one will ever love you.

In either case, the only thing to do is to keep sending queries and keep writing.  If that agent just isn’t digging what you’re selling, then maybe the next one will, and if not her, then the next one, and so on.  If the issue is that you’re a terrible writer (and let’s not fool ourselves, that might be it) then the only way to get better is to practice arranging words in different combinations until you unlock the secret code of not sucking.  Keep working on your next project.  More writing floats all ships.  If you just need to get better, it’s practice.  If you need to test that same agent who seemed very close to signing you last time with a new work then this fits that bill too.  Plus, what else are you going to do to fill the months in between Game of Thrones seasons?

Here are some ‘dos and don’ts’ of rejection for your reference:

DON’T:

  1. Respond to said agent impolitely.  Or politely.  Or at all.  The thought will come upon you, usually late at night, to reply to the rejection e-mail with something innocuous like “Thanks for reading” or “I know where you live.”  Suppress this voice.  (The only acceptable thing to send to a rejecting agent is a fresh query for a shiny new manuscript entirely unrelated to the last).
  1. Mention said agent or agency by name via social media, either good or bad.  I’ll certainly let an agent correct me if I’m wrong, but right now, I can’t envision any scenario where it would benefit you to single out an agent after a rejection.
  1. Become a Cowboys fan.  It can be tempting to turn to evil in those dark times in life, but things will get better.  Resist the urge.
  1. Call your ex in a moment of weakness.  You made the right choice; now be strong.

 

DO:

  1. Pour yourself a glass of good scotch.  If you’re under 21, you shouldn’t be drinking good Scotch.  For you, I recommend 10-year Glenmorangie as a more modestly priced alternative for a college budget.
  1. Keep writing.  This should probably be number 1, but Scotch.
  1. Keep querying.  If you’re a decent writer and just haven’t found your audience yet, this maximizes your chances.  And if your writing simply stinks, no harm done plus those agents probably appreciate the laugh.
  1. Attend nearby writers conferences.  Or not-so-near if you like to travel.  These are a hotbed of agent activity, often with query sessions and mixers.  It’s much harder to reject a person face to face, so take advantage.  That agent who passed on your homage to Charles Manson, upon meeting you and seeing in person that you are in fact truly frightening, might be impressed with your authenticity and commitment to the subject matter and decide to sign you on that basis.
  1. Join a local writer critique group.  Most agents won’t tell you if your writing is hopeless, but a good critique group will.
  1. Work on your writer platform.  Agents and editors love to see a vibrant social media presence with lots of built-in eyeballs.  That same rejected manuscript may very well have fared better if you had an active blog or another 20,000 Twitter followers.
  1. On second thought, go ahead and call that ex.  How bad could it be?

Rejection stinks and it’s deflating and demoralizing, but it happens in this industry, and in any creative industry.  The only true measure of control any of us have is to keep writing.  So suck it up and keep at it.

__________________________

David has been david-jonesa practicing litigation attorney in the Dallas/Fort Worth area for the past thirteen years, trying jury trials, bench trials, and arbitrations across the state. His legal writing, both fictional and non-, can be found in numerous successful appellate court rulings. With a specialty in construction and real estate law, David has also published legal articles for several Texas-based builder and real estate magazines.

David now resides in Grapevine, Texas with his wife Shannon, twin daughters, and a circus of animals, each more worthless than the last (the pets, not the wife or kids). In addition to his day job, David runs a (satirical) sports news blog called White Glove Sports and has self-published the first of a three-novel science fiction epic entitled Children of a Doomed Sun. Follow David on Twitter – @thejoneswriter And at davidjonesauthor.com

 

 

 

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